Camera mediaĪdobe Premiere Pro's Media Browser ( FIGURE 4.4) automatically recognizes camera media, meaning that if you navigate into a directory of XDCAM, P2, or Red files (amongst others), it will auto recognize the footage. You can navigate through the folders on the left side and use the up, down, left, and right arrows in the upper-right corner.
![what file types are supported in adobe premiere pro 2.0 what file types are supported in adobe premiere pro 2.0](https://tpc.studio/wp-content/uploads/2021/05/premiere-pro-supported-formats-1024x433.jpg)
Once open, you'll find that the Media Browser is not significantly different than browsing using the OS. Spanned clips appear as a single element.Viewing and customizing the display of metadata.Narrowing the display to a specific file type, such as JPEG, TIFF, XML, AAF, and more.Auto sensing of camera data-AVCHD, Canon XF, P2, RED, Sony HDV, and XDCAM (EX and HD).The major benefits of the Media Browser include: If you want to access a second project, you can import it. Adobe Premiere Pro only permits one project to be open at a time. Yes, Adobe Premiere Pro projects and After Effects projects can be imported as well. If you're a news organization, you probably ought to clean this on a monthly basis at the minimum. How frequently you do that depends on your facility. But on a regular basis, it should be cleaned ( FIGURE 4.3). The Media Cache Database shouldn't ever be moved. The disadvantage is that they're system based, not project based there's no way to communicate to a different system that the cache files are with the original media. The main advantage of this would be to offload these files from the internal hard drive. You have the option to move them (as mentioned in Chapter 3) to live with the actual media. As you import these files, Adobe Premiere Pro takes a moment and builds an internal index to lessen stress on the system.Ĭonfigure the settings for the media cache by choosing Preferences > Media.Ĭache files are generally small. To improve playback and lessen the load on the CPU, some formats-particularly the more compressed HD formats-will need indexing and caching. Just make sure there is no difference in the new asset, such as duration or frame size. If you replace an old file with a newer one (and match the name), Adobe Premiere Pro can connect to the new asset. Consider renaming or removing old files at the desktop level. There are too many stories of different versions of a graphic and editors being unsure of which one was being used. Any external materials to Adobe Premiere Pro will then live with the project. Although Adobe Premiere Pro can import files and footage from anywhere, it's best to copy files and footage into a folder within the project. You'll be able to go back to the "virtual tapes" if you ever need to reload. Be sure to create a verified copy or disk image of your tapeless media in your project's folder. Here are a few key techniques to remember: Good editors start organized and stay organized from the beginning to the end of the edit.
![what file types are supported in adobe premiere pro 2.0 what file types are supported in adobe premiere pro 2.0](https://i.ytimg.com/vi/z5XXjJfVu-4/maxresdefault.jpg)
Who knows exactly what corners you cut last month (or last year). Nowhere is that statement more true than when you're importing footage.